Almond, round, hooded, monolid, upturned, downturned, deep-set. Seven shapes scored against canthal tilt, crease, lid coverage, and aperture.
The classifier returns the dominant shape plus the secondary read. Most real eyes are a combination; the test surfaces both.
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Canthal tilt. The angle between the inner and outer corner of the eye. Positive tilt (outer corner higher) above 5 degrees indicates upturned; negative tilt below 0 degrees indicates downturned. Neutral tilt sits between 0 and 5 degrees and combines with the other inputs.
Crease visibility. Whether a defined upper-lid crease is present and at what height above the lash line. Absent crease indicates monolid. A crease partially hidden by an overhanging upper-orbital ridge indicates hooded.
Upper-lid coverage. How much of the iris the upper lid covers in a relaxed forward gaze. Low coverage (visible sclera above the iris) shifts toward round. High coverage (lid touching pupil) shifts toward hooded.
Eye aperture ratio. The height-to-width ratio of the visible eye opening. Lower ratios (longer, narrower) shift toward almond or monolid. Higher ratios (more circular) shift toward round.
The reference shape. Slight outward tilt, defined crease, balanced lid coverage. Almond eyes provide the most flexibility for makeup and brow shaping decisions.
Visible sclera around the iris. Aperture ratio above 0.5. Reads as expressive and youthful. Makeup goal is usually to elongate horizontally.
Upper-lid coverage above 0.4 with the crease partly or fully hidden by an overhanging ridge. Common with age but also present from genetics. Makeup goal is usually to lift the visible lid space.
No visible upper-lid crease. Aperture ratio low. Common in East Asian and some Central Asian populations. Makeup goal is usually to add dimension along the lash line.
Positive canthal tilt above 5 degrees. Outer corner sits higher than the inner. Reads as alert and youthful. Makeup goal is usually to balance with subtle inner-corner enhancement.
Negative canthal tilt below 0 degrees. Outer corner sits lower than the inner. Reads as soft. Makeup goal is usually to lift the outer corner visually.
Eyes sit recessed under a prominent brow ridge with visible upper-orbital depth. Reads as intense. Makeup goal is usually to add light to the recessed lid space.
Most real eyes combine two shapes. Almond plus upturned is common. Hooded plus downturned is common. The test returns the dominant shape with the secondary read.
Forward gaze with iris centered in the visible opening. Camera at eye level. Flat daylight without strong overhead shadow. Eyes fully open in a relaxed expression, not strained. No glasses. Eyelashes mascara-free if possible to keep the lash line visible.
Downcast gaze, partial squint, and overhead shadow are the three most common input errors. Each can shift the classification by one full shape. If confidence comes back under 70 percent, retake with relaxed forward gaze under diffuse daylight.
Seven shapes. Four inputs. Makeup and brow picks calibrated to yours.
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